And I said, My strength and my hope is perished from the Lord:
Remembering mine affliction and my misery, the wormwood and the gall.
My soul hath them still in remembrance, and is humbled in me.
This I recall to my mind, therefore have I hope.
It is of the Lord‘s mercies that we are not consumed, because his compassions fail not.1
Our family devotions have centered around the book of Job for the past few weeks and considering the upheaval of plans and difficult transitions for each one of us in different ways, it has been fitting and it has been a blessing.
There are passages of time where the universe seems to collapse into the cramped space of one’s own trials. Those are the times when our conversations with God are not only intense & often wrought with a sense of overwhelming frailty, but also liberating as worship leads us upwards into the infinite, omnipotent throne room of our heavenly Father.
In such a place of holiness and sovereign love, our weaknesses, our fears, our impoverished faith are of no account. There we can freely ask the immortal, invisible God to do for us what we cannot. I wrote the following in deep wonder at the truth rediscovered time and time again that, in Christ, we can even ask Him to plead for us.
Plead for Me
Holy Savior, plead for me, a crippled sinner, lame of tongue
Ill-begotten in the night, a rebel to Your sovereign power.
I would throw off the shackling chains that curb my pride,
Restrain my steps, and lead to humiliation’s lonely way.
Yet here I see Your riven form, the crown of thorns,
The nail-pierced flesh. Here alone I hear the cry
That tore the temple veil in half as One forsaken
For my sins bore the wrath that I deserved.
Where then is shame, where then is grief
If not borne by You for love of me?
So all my fears shall be dissolved if You, my Lord,
Would yet plead for me.
We all search for heroes and heroines, and some even find them, only to discover their clay feet. When we see faults of different proportions in our Christian brothers and sisters, we tend to be less forgiving with them than we are with those who aren’t of our faith. Yet the same God who works in you to transform you into the likeness of Christ, works in me to do the same. And as we disappoint one another, even betray one another, we must love each other, hating the sin all the while.
Such sin we can see so clearly in others. But our own we so often fail to see until we are forced to. On some sin-encrusted surfaces of our lives, the grace of God melts and molds us easily to conform to His image. On others which are more obdurate, our stony footholds of sin must be hammered away by the heavy blows of suffering until we are transformed.
A feast of rest, a feast of praise
Fills my heart, my mouth, my days;
A Sabbath feast of prayer and love
A shout of “Hallelujah!” to God above.
O let me never from this feast descend
But ever by Your Spirit ascend;
Hold me, Father, with Your right hand
As by faith on holy ground I stand.
Ushered in by Your Son’s call
To the festal celebration hall
Joy abundant and peace unfettered
From Your table I am fed.
Should I stray from Your dear presence
Let me quickly feel Your absence
And in Your grace, rejoicing always,
Before Your table find my place.
Hebrews 12: 22-24
But you have come to Mount Zion and to the city of the living God, the heavenly Jerusalem, and to innumerable angels in festal gathering, and to the assembly of the firstborn who are enrolled in heaven, and to God, the judge of all, and to the spirits of the righteous made perfect, and to Jesus, the mediator of a new covenant, and to the sprinkled blood that speaks a better word than the blood of Abel.
This is a first in my “Two Quote” series, since it sets side by side not only a written quotation but a musical one.
It’s rare when music is mentioned in literature that I feel inclined to dwell much on it but when the writer is Dickens and the composer is Handel, well, naturally I took the bait. Needless to say, the comic nature of poor Bella’s father’s grimly melodious characterization of his marriage took flight. But then Dickens always did have a way of making you literally laugh through your tears, perhaps even his own as he was at the time estranged from his wife.
Our Mutual Friend was his last completed work and, as if in a farewell gesture, Dickens throws into it the unrestrained comic genius and dramatic flair of his first novel (The Pickwick Papers, 1837) which brought him the acclaim he richly deserved. In the excerpt below, the “Dead March” from Handel’s dramatic oratorio, Saul, is made to dance to the sorrowful notes of Reginald Wilfer’s portrait of married life.
Mrs. Wilfer, writes Dickens, “is a tall woman, and angular,” necessarily so according to the matrimonial law of contrasts, her husband being “cherubic.” “It is as you think, R. W.; not as I do,” comprised a part of her deceptively submissive repertoire of aphorisms with which she managed him. Only to Bella, his eldest daughter, is Reginald Wilfer able to relax his guard and venture into unfettered conversation.
“I never had a mother,” Emily Dickinson wrote. “I suppose a mother is one to whom you hurry when you are troubled.” But where mothers fail, God never fails. His is a mother’s touch that is always ready to receive, ready to lift and comfort, ready to provide what is needed. “Can a woman forget her nursing child, that she should have no compassion on the son of her womb? Even these may forget, yet I will not forget you” (Is. 49:15).
This picture was taken behind our home. The colors all stream together into a red pool breeding a kind of wanderlust, an unhealthy variety where you feel like you’re fleeing from all the demons of hell but really just taking them all with you, pursued, driven and tormented. Into such a dark night of the soul, home is the only cure, a place where you are rescued and kept safe. I pray that all who read this will find that home in Christ Jesus, who in His faithful love I have found to be the only sure refuge from such a rabid wanderlust of the mind and spirit.
On a sunny day to feel so cold
or to be joyless in the moonlight
alone with demons that circulate in the air
like dust motes no one else can see
but the prisoner engulfed by placid Hades—”of suffering
the Old Masters were never wrong”—
agape in excess, empty of hope.
I cannot feel the sunlight’s burst or the moon’s
pale rays but this I know in my darkness:
enthroned on high in the heavens
my King reigns in whose power lie the visible
and invisible, Who holds sway over all,
yet undertakes to dwell with me
to deliver me from hell.
¹line from W. H. Auden’s Musée des Beaux Arts (poem)
The light shines in the darkness, and the darkness has not overcome it.
It’s a rickety, rollicking ride I’m on
Reading Uncle’s “Our Mutual Friend”
On the tide of the Thames as it rolls
Along, dragging me in its mysterious wake
With Veneerings and Rimtys and inspectors
That lurk behind the John Harmons
Who could be the Srivatis and Vikrams
And Chandras hawking rumors by the Ganges
In the myriad scenario of humanity’s flow
Under the pen of a master storyteller caught
In the blood-spun net of familiar lives
Spent on the banks of labyrinthian rivers
That wend to shores around the world
And stay to balance on my fingertips.